Those Who Leave And Those Who Stay
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Those Who Leave and Those Who Stay Summary : Soon to be an HBO series, book three in the New York Times bestselling Neapolitan quartet about two friends in post-war Italy is a rich, intense, and generous-hearted epic by one of today's most beloved and acclaimed writers, Elena Ferrante, “one of the great novelists of our time.” (Roxana Robinson, The New York Times) In the third book in the Neapolitan quartet, Elena and Lila, the two girls whom readers first met in My Brilliant Friend, have become women. Lila married at sixteen and has a young son; she has left her husband and the comforts her marriage brought and now works as a common laborer. Elena has left the neighborhood, earned her college degree, and published a successful novel, all of which has opened the doors to a world of learned interlocutors and richly furnished salons. Both women are pushing against the walls of a prison that would have seen them living a life of misery, ignorance and submission. They are afloat on the great sea of opportunities that opened up during the nineteen-seventies. Yet they are still very much bound to each other by a strong, unbreakable bond. Ferrante is one of the world’s great storytellers. With the Neapolitan quartet she has given her readers an abundant, generous, and masterfully plotted page-turner that is also a stylish work of literary fiction destined to delight readers for many generations to come.
Those Who Leave and Those Who Stay Summary : "Imagine if Jane Austen got angry & you'll have some idea of how explosive these works are" (John Freeman). Since the publication of My Brilliant Friend, Elena Ferrante has gained admirers among authors—Jhumpa Lahiri, Elizabeth Strout, Claire Messud, to name a few—and criti— James Wood, John Freeman, Eugenia Williamson, for example. But her most resounding success has been with readers, who have discovered in Ferrante a writer who speaks with great power and beauty of the mysteries of belonging, love, family, and friendship. In this third Neapolitan novel, Elena and Lila have become women. Both have attempted pushing against the walls of a prison that would have seen them living a life of misery, ignorance and submission. They are afloat on the great sea of opportunities that opened up during the nineteen-seventies. Yet they are still very much bound to each other by a strong, unbreakable bond.
Those Who Leave and Those Who Stay Summary : Since the publication of the acclaimed My Brilliant Friend and The Story of A New Name, Elena Ferrante’s reputation has grown enormously. Her novels about the friendship between Lila and Elena, about the mysteries of human relationships, are utterly compelling. In Those Who Leave and Those Who Stay, the two protagonists are now in their thirties. Lila, married at sixteen, has left her husband and the comforts of her marriage, and has now joined the workforce. Elena has left the neighbourhood in Naples, been to university, and published a successful novel, all of which has brought her into a wealthier, more cultured world. Both women are seizing opportunities to flee a life of poverty, ignorance and submission. Yet they are still very much bound to each other by an unbreakable bond. Elena Ferrante was born in Naples. She is the author of seven novels: The Days of Abandonment, Troubling Love, The Lost Daughter, and the quartet of Neapolitan Novels: My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay, and The Story of the Lost Child. Fragments, a selection of interviews, letters and occasional writings by Ferrante, will be published in early 2016. She is one of Italy’s most acclaimed authors. Ann Goldstein is an editor at the New Yorker and a recipient of the PEN Renato Poggioli Translation Award. ‘[Ferrante’s] charting of the rivalries and sheer inscrutability of female friendship is raw. This is high stakes, subversive literature.’ Sunday Telegraph ‘In the past decade, no fiction writer has made it more necessary to think about the performative aspect of being a woman than Elena Ferrante. Her novels, written originally in Italian and translated beautifully by Ann Goldstein, are ferociously engaged with the ways in which a woman—as a daughter, a teenager, a lover, and, most dramatically, a mother—is a kind of person in drag, speaking through a costume that slowly becomes all that one knows of her...It’s Ferrante’s ability to capture both the mirror and the woman standing before it that makes her a writer to be reckoned with.’ John Freeman ‘Nothing you read about Elena Ferrante’s work prepares you for the ferocity of it...This is a woman’s story told with such truthfulness that it is not so much a life observed as it is felt.’ New York Times ‘Elena Ferrante is one of the great novelists of our time...In these bold, gorgeous, relentless novels, Ferrante traces the deep connections between the political and the domestic. This is a new version of the way we live now—one we need, one told brilliantly, by a woman.’ New York Times Sunday Book Review ‘When I read [the Neapolitan novels] I find that I never want to stop. I feel vexed by the obstacles—my job, or acquaintances on the subway—that threaten to keep me apart from the books. I mourn separations (a year until the next one—how?). I am propelled by a ravenous will to keep going.’ New Yorker ‘It is a testament to Ferrante’s achievement that, at the end of this third book and anticipating the fourth, it seems there’s limitless potential for Lina to reinvent herself again.’ Times Literary Supplement ‘Ferrante’s project is bold: her books chronicle the inner conflicts of intelligent women...Her writing has a powerful intimacy...a bona fide literary sensation–the famous writer nobody knows.’ Guardian UK ‘The best thing I’ve read this year, far and away...She’s marvellous.’ Richard Flanagan 'The Neapolitan novels are smart, thoughtful, serious literature. At the same time, they are violent, suspenseful soap operas populated with a vivid cast of scheming characters...Ferrante’s novels are deeply personal and intimate, getting to the very heart of what it means to be a woman, a friend, a daughter, a mother.’ Debrief Daily
📒The Story Of A New Name by Elena Ferrante
The Story of a New Name Summary : Book Two in Elena Ferrante's Neapolitan Quartet In 2012, Elena Ferrante's My Brilliant Friend introduced readers to the unforgettable Elena and Lila, whose lifelong friendship provides the backbone for the Neapolitan Novels. The Story of a New Name is the second book in this series. With these books, which the New Yorker's James Wood described as "large, captivating, amiably peopled...a beautiful and delicate tale of confluence and reversal," Ferrante proves herself to be one of Italy's most accomplished storytellers. She writes vividly about a specific neighborhood of Naples from the late-1950s through to the current day and about two remarkable young women who are very much the products of that place and time. Yet in doing so she has created a world in which readers will recognize themselves and has drawn a marvelously nuanced portrait of friendship. In The Story of a New Name, Lila has recently married and made her enterée into the family business; Elena, meanwhile, continues her studies and her exploration of the world beyond the neighborhood that she so often finds stifling. Love, jealousy, family, freedom, commitment, and above all friendship: these are signs under which both women live out this phase in their stories. Marriage appears to have imprisoned Lila, and the pressure to excel is at times too much for Elena. Yet the two young women share a complex and evolving bond that is central to their emotional lives and is a source of strength in the face of life's challenges. In these Neapolitan Novels, Elena Ferrante, the acclaimed author of The Days of Abandonment, gives readers a poignant and universal story about friendship and belonging.
📒The Story Of The Lost Child by Elena Ferrante
The Story of the Lost Child Summary : Book Four in Elena Ferrante's Neapolitan Quartet “Nothing quite like this has ever been published before,” proclaimed The Guardian newspaper about the Neapolitan Novels in 2014. Those Who Leave and Those Who Stay, the third book in the series, was an international best seller and a New York Times Notable Book of the Year. Its author was dubbed “one of the great novelists of our time” by the New York Times Book Review. This fourth and final installment in the series raises the bar even higher and indeed confirms Elena Ferrante as one of the world’s best living storytellers. Here is the dazzling saga of two women, the brilliant, bookish Elena and the fiery uncontainable Lila. In this book, both are adults; life’s great discoveries have been made, its vagaries and losses have been suffered. Through it all, the women’s friendship, examined in its every detail over the course of four books, remains the gravitational center of their lives. Both women once fought to escape the neighborhood in which they grew up—a prison of conformity, violence, and inviolable taboos. Elena married, moved to Florence, started a family, and published several well-received books. But now, she has returned to Naples to be with the man she has always loved. Lila, on the other hand, never succeeded in freeing herself from Naples. She has become a successful entrepreneur, but her success draws her into closer proximity with the nepotism, chauvinism, and criminal violence that infect her neighborhood. Yet somehow this proximity to a world she has always rejected only brings her role as unacknowledged leader of that world into relief. For Lila is unstoppable, unmanageable, unforgettable! Against the backdrop of a Naples that is as seductive as it is perilous and a world undergoing epochal change, this story of a lifelong friendship is told with unmatched honesty. Lila and Elena clash, drift apart, reconcile, and clash again, in the process revealing new facets of their friendship. The four volumes in this series constitute a long remarkable story that readers will return to again and again, and, like Elena and Lila themselves, every return will bring with it new discoveries.
📒The Beach At Night by Elena Ferrante
The Beach at Night Summary : Named one of The Guardian's "Best Books of 2016" From the author of My Brilliant Friend Elena Ferrante returns to a story that animated the novel she considers to be a turning point in her development as a a writer: The Lost Daughter. But this time the tale takes the form of a children's fable told from the point of view of the lost (stolen!) doll, Celina. Celina is having a terrible night, one full of jealousy for the new kitten, Minù, feelings of abandonment and sadness, misadventures at the hands of the beach attendant, and dark dreams. But she will be happily found by Mati, her child, once the sun rises. Accompanied by the oneiric illustrations of Mara Cerri, The Beach at Night is a story for all of Ferrante's many ardent fans.
📒My Brilliant Friend by Elena Ferrante
My Brilliant Friend Summary : The story of Elena and Lila begins in the 1950s in a poor but vibrant neighbourhood on the outskirts of Naples. They learn to rely on each other and discover that their destinies are bound up in the intensity of their relationship. Elena Ferrante’s piercingly honest portrait of two girls’ path into womanhood is also the story of a nation and a meditation on the nature of friendship itself. My Brilliant Friend is a modern masterpiece, the work of one of Italy’s great storytellers.
📒Troubling Love by Elena Ferrante
Troubling Love Summary : "A deeply observed, excruciatingly blunt novel."-The New Yorker "The raging, tormented voice of the author is something rare."-The New York Times Following her mother's untimely and mysterious death, Delia embarks on a voyage of discovery through the streets of her native Naples searching for the truth about her family. A series of mysterious telephone calls leads her to compelling and disturbing revelations about her mother's final days. This stylish fiction from the author of The Days of Abandonment is set in a beguiling but often hostile Naples, whose chaotic, suffocating streets become one of the book's central motifs. A story about mothers and daughters and the complicated knot of lies and emotions that binds them.
📒In Search Of Elena Ferrante by Karen Bojar
In Search of Elena Ferrante Summary : Elena Ferrante—named one of the 100 most influential people in 2016 by Time magazine—is best known for her Neapolitan novels, which explore such themes as the complexity of female friendship; the joys and constraints of motherhood; the impact of changing gender roles; the pervasiveness of male violence; the struggle for upward mobility; and the impact of the feminist movement. Ferrante’s three novellas encompass similar themes, focusing on moments of extreme tension in women’s lives. This study analyzes the integration of political themes and feminist theory in Ferrante’s works, including men’s entrapment in a sexist script written for them from time immemorial. Her decision to write under a pseudonym is examined, along with speculation that Rome-based translator Anita Raja and her husband Domenico Starnone are coauthors of Ferrante’s books.
📒Frantumaglia by Elena Ferrante
Frantumaglia Summary : Elena Ferrante is one of the greatest novelists of our time. Read her novels and don't worry about who she is: you will be entranced by her writing. Frantumaglia is a riveting compilation, over the course of her writing career, of Elena Ferrante's letters to her publisher, interviews with editors and journalists, and responses to readers' questions. For fans of Ferrante, and for fans of writing, this is essential reading. Her comments have the ring of truth and the power of wisdom. This is a woman who not only knows her own mind, she can see deep into ours, too. Elena Ferrante was born in Naples. She is the author of seven novels: The Days of Abandonment, Troubling Love, The Lost Daughter, and the quartet of Neapolitan Novels: My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay, and The Story of the Lost Child. She is one of Italy's most acclaimed authors. Ann Goldstein has translated all of Elena Ferrante's work. She is an editor at the New Yorker and a recipient of the PEN Renato Poggioli Translation Award. ‘Frantumaglia is never less than compelling and we read with a similar desire to recognise a pattern...The letters are presented without introduction, and as we read we’re curious to know how they fit into the larger picture.’ Australian ‘We guarantee all the cool girls will be clutching Frantumaglia.’ Marie Claire ‘An absorbing explanation of why this writer insists on anonymity, and also reveals a lot about the inspiration for and thinking behind her remarkable novels.’ Australian ‘A fascinating companion piece, both to the remarkable novels Ferrante has written and to the ongoing discussion about the author’s real identity...Her fans should be grateful for this highly readable, insightful resource.’ Herald Sun ‘Drawing on a storehouse of formative traumas and tensions, Ferrante’s novels are at once furious and reparative; little wonder she has opted for anonymity. Commenting on excerpts that failed to make it into her published novels, Ferrante rues moments of self-censorship, asserting that a writer must not be cowed by taboo, but instead trust the instincts of the body, "the heart’s acceleration". Such moral intensity bodes well for Ferrante’s fans, suggesting recent intrusions into her privacy will not be so injurious as to deter her from—as she so viscerally describes her writing process—"butchering eels": drawing from the depth of her experience, "everything that is alive and writhing.”’ Overland ‘Fans of Ferrante and her Neapolitan novels with delight in this revealing collection of letters to her publisher, interviews with her editors and journalists, and responses to readers’ questions.’ Best Books of 2016, Sunday Life ‘Ferrante writes well about writing, publishing and literature, and I recommend Frantumaglia to writers and those interested in her books...It was an unexpectedly helpful companion through the grief and fear of one hell of a month. Thank you, Elena, whoever you are.’ New Zealand Listener