The Story Of The Lost Child
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The Story of the Lost Child Summary : Book Four in Elena Ferrante's Neapolitan Quartet “Nothing quite like this has ever been published before,” proclaimed The Guardian newspaper about the Neapolitan Novels in 2014. Those Who Leave and Those Who Stay, the third book in the series, was an international best seller and a New York Times Notable Book of the Year. Its author was dubbed “one of the great novelists of our time” by the New York Times Book Review. This fourth and final installment in the series raises the bar even higher and indeed confirms Elena Ferrante as one of the world’s best living storytellers. Here is the dazzling saga of two women, the brilliant, bookish Elena and the fiery uncontainable Lila. In this book, both are adults; life’s great discoveries have been made, its vagaries and losses have been suffered. Through it all, the women’s friendship, examined in its every detail over the course of four books, remains the gravitational center of their lives. Both women once fought to escape the neighborhood in which they grew up—a prison of conformity, violence, and inviolable taboos. Elena married, moved to Florence, started a family, and published several well-received books. But now, she has returned to Naples to be with the man she has always loved. Lila, on the other hand, never succeeded in freeing herself from Naples. She has become a successful entrepreneur, but her success draws her into closer proximity with the nepotism, chauvinism, and criminal violence that infect her neighborhood. Yet somehow this proximity to a world she has always rejected only brings her role as unacknowledged leader of that world into relief. For Lila is unstoppable, unmanageable, unforgettable! Against the backdrop of a Naples that is as seductive as it is perilous and a world undergoing epochal change, this story of a lifelong friendship is told with unmatched honesty. Lila and Elena clash, drift apart, reconcile, and clash again, in the process revealing new facets of their friendship. The four volumes in this series constitute a long remarkable story that readers will return to again and again, and, like Elena and Lila themselves, every return will bring with it new discoveries.
The Story of the Lost Child Summary : The Story of the Lost Child is the long-awaited fourth volume in the Neapolitan novels (My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay). The quartet traces the friendship between Elena and Lila, from their childhood in a poor neighbourhood in Naples, to their thirties, when both women are mothers but each has chosen a different path. Their lives are still inextricably linked, for better or worse, especially when it comes to the drama of a lost child. Elena Ferrante was born in Naples. She is the author of seven novels: The Days of Abandonment, Troubling Love, The Lost Daughter, and the quartet of Neapolitan novels: My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay, and The Story of the Lost Child. Frantugmalia, a selection of interviews, letters and occasional writings by Ferrante, will be published in 2016. She is one of Italy’s most acclaimed authors. Ann Goldstein has translated all of Elena Ferrante’s work. She is an editor at the New Yorker and a recipient of the PEN Renato Poggioli Translation Prize. Praise for Ferrante and the Neapolitan novels ‘[Ferrante’s] charting of the rivalries and sheer inscrutability of female friendship is raw. This is high stakes, subversive literature.’ Sunday Telegraph ‘Ferrante is an expert above all at the rhythm of plotting...Whether it’s work, family, friends or sex–and Ferrante, perhaps thanks to her anonymity as an author, is blisteringly good on bad sex–our greatest mistakes in life aren’t isolated acts; we rehearse them over and over until we get them as badly wrong as we can.’ Independent ‘Great novels are intelligent far beyond the powers of any character or writer or individual reader, as are great friendships, in their way. These wonderful books sit at the heart of that mystery, with the warmth and power of both.’ Harper’s ‘Elena Ferrante is one of the great novelists of our time. Her voice is passionate, her view sweeping and her gaze basilisk...In these bold, gorgeous, relentless novels, Ferrante traces the deep connections between the political and the domestic. This is a new version of the way we live now—one we need, one told brilliantly, by a woman.’ New York Times Sunday Book Review ‘When I read [the Neapolitan novels] I find that I never want to stop. I feel vexed by the obstacles—my job, or acquaintances on the subway—that threaten to keep me apart from the books. I mourn separations (a year until the next one—how?). I am propelled by a ravenous will to keep going.’ New Yorker ‘The best thing I’ve read this year, far and away...She puts most other writing at the moment in the shade. She’s marvellous.’ Richard Flanagan ‘The Neapolitan series stands as a testament to the ability of great literature to challenge, flummox, enrage and excite as it entertains.’ Sydney Morning Herald ‘The depth of perception Ms. Ferrante shows about her character’s conflicts and psychological states is astonishing...Her novels ring so true and are written with such empathy that they sound confessional.’ Wall Street Journal ‘The older you get, the harder it is to recapture the intoxicating sense of discovery that comes when you first read George Eliot, Nabokov, Tolstoy or Colette. But this year it came again when I read Elena Ferrante’s remarkable Neapolitan novels.’ Jane Shilling, New Statesman ‘There is nothing remotely tiring or trying about the experience of reading the Neapolitan novels, which I, and a great many others, now rank among our greatest book-related pleasures...it is writing that holds honesty dear.’ Weekend Australian ‘Dickens gave working people a voice. Ferrante, whoever she might be, presents a new paradigm for being female in the world...Ferrante’s great literary creations, Lenu and Lila, have the same emotional weight as Anne in Persuasion, Jo in Little Women, Maggie in The Mill on the Floss, Jane in Jane Eyre.’ Helen Elliott in the Monthly ‘This stunning conclusion further solidifies the Neapolitan novels as Ferrante’s masterpiece and guarantees that this reclusive author will remain far from obscure for years to come.’ Publishers Weekly ‘The Neapolitan novels are smart, thoughtful, serious literature. At the same time, they are violent, suspenseful soap operas populated with a vivid cast of scheming characters...Ferrante’s novels are deeply personal and intimate, getting to the very heart of what it means to be a woman, a friend, a daughter, a mother.’ Debrief Daily ‘Shattering and enthralling, intimate and vicious...The Neapolitan Novels are the kind of books that swallow me whole. As soon as I pick one up, I don’t want to breathe or move lest I break the spell...The Neapolitan Novels are among the most important in my reading life. I can’t recommend them highly enough.’ Readings ‘Ferrante captures the complexities of women, friendship and motherhood in ways that make your heart soar and ache in equal measures. If you haven’t already, treat yourself to this series.’ ELLE Australia ‘[Ferrante’s] Neapolitan novels contain real life – recognisable anxiety, joy, love and heartbreak. This is an incredibly difficult feat to achieve in the first place, let alone sustain, over four books. We will be talking about Elena and Lila for years to come.’ Sydney Morning Herald ‘There's a bright, sinewy humanness to Ferrante’s writing that is so alive it's alarming...The Story of the Lost Child is a full emotional experience, and a fitting end to a huge, arresting series.’ New Zealand Listener ‘I was one of the many who wept and wondered over Elena Ferrante’s The Story of the Lost Child. I plan to re-read the entire series soon.’ Favourite Feminist Reads from 2016, Feminist Writers Festival
The Story of the Lost Child Summary : “Nothing quite like this has ever been published before,” proclaimed The Guardian newspaper about the Neapolitan Novels in 2014. The first book in the series, My Brilliant Friend, was a New York Times bestseller. Those Who Leave and Those Who Stay was a Times bestseller and Notable Book of the Year, and was named a best book of 2014 twenty-five times including in The Times Literary Supplement, The Guardian, The San Francisco Chronicle, The New Statesman, Slate, The Daily Beast, The Wall Street Journal, Vogue, and the Boston Globe. This fourth and final installment in the series gives validation to the New York Times Book Review’s opinion of its author, Elena Ferrante, as “one of the great novelists of our time.” Here is the dazzling saga of two women, the brilliant, bookish Elena and the fiery, uncontainable Lila. Both are now adults; life’s great discoveries have been made, its vagaries and losses have been suffered. Through it all, the women’s friendship has remained the gravitational center of their lives. Both women once fought to escape the neighborhood in which they grew up—a prison of conformity, violence, and inviolable taboos. Elena married, moved to Florence, started a family, and published several well-received books. In this final book, she has returned to Naples. Lila, on the other hand, never succeeded in freeing herself from the city of her birth. She has become a successful entrepreneur, but her success draws her into closer proximity with the nepotism, chauvinism, and criminal violence that infect her neighborhood. Proximity to the world she has always rejected only brings her role as its unacknowledged leader into relief. For Lila is unstoppable, unmanageable, unforgettable! Against the backdrop of a Naples that is as seductive as it is perilous and a world undergoing epochal change, the story of a lifelong friendship is told with unmatched honesty and brilliance. The four volumes in this series constitute a long remarkable story that readers will return to again and again, and every return will bring with it new revelations.
📒The Lost Child by Caryl Phillips
The Lost Child Summary : In 1771, Mr Earnshaw returns to Yorkshire from Liverpool with a bundle in his arms. ‘As dark almost as if it came from the devil’, this strange apparition is taken into the bosom of his family and becomes the starting point of Emily Brontë’s Wuthering Heights. Almost two-hundred years later, Monica Johnson, a young woman growing up in a conservative family in the north of England, leaves her place at Oxford to marry a man from the Caribbean against her parents' wishes and then struggles to bring up their children as a single mother in Leeds. While Ben is popular, does well at school and embraces the popular culture of the day, Tommy is bullied and remains an outcast, as stigmatised by the origins of his parentage as Healthcliff was. Vulnerable and alone, Tommy disappears one day, demolishing the precarious family bond with an intensity matched only by Heathcliff's arrival into the Earnshaw clan. In the tradition of Jean Rhys’s Wide Sargasso Sea and J M Coetzee’s Foe, The Lost Child boldly re-imagines the origins of Heathcliff, and the manner in which he emerged from Emily Brontë’s imagination, to deftly spin tales of disparate lives bound by the past and struggling to liberate themselves from it into a haunting novel about migration, social exclusion and the difficulties of family.
📒The Lost Child by Julie Myerson
The Lost Child Summary : One bleak, late winter's day, Julie Myerson finds herself in a graveyard, looking for traces of a young woman who died nearly two centuries before. As a child in Regency England, Mary Yelloly painted an exquisite album of watercolours that uniquely reflected the world she lived in. But Mary died at the age of twenty-one, and when Julie comes across this album, she is haunted by the potential never realised, the barely-lived life cut short. And most of all, she is reminded of her own child. Because only days earlier, Julie and her husband locked their eldest son out of the family home. He was just seventeen. How could it have come to this? After a happy growing-up, it had taken only a matter of months for this bright, sweet, good-humoured boy to completely lose his way and propel his family into daily chaos. He had discovered cannabis and was now smoking it everyday - and nothing they could say or do, no help they could offer, seemed to reach him. And Julie - whose emotionally fragile relationship with her own father had left her determined to love her children better - had to accept that she was, for the moment at least, powerless to bring back the boy she had known. Honest, warm and often profoundly upsetting, this is the parallel story of a girl and a boy separated by centuries. The circumstances are very different, but the questions remain terrifyingly the same. What happens when a child disappears from a family? What will survive of any of us in memory or in history? And how is a mother to cope when love - however absolute, however unconditional - is not enough to save her child?
📒Lost Child And Other Stories by Mulk Raj Anand
Lost Child And Other Stories Summary :
📒Stories For A Lost Child by Carter Meland
Stories for a Lost Child Summary : The summer before going into high school, Fiona receives a mysterious box in the mail, one that she hopes will answer her questions about her Anishinaabe Indian heritage. It contains stories written by the grandfather she never knew, an Anishinaabe man her mother refuses to talk about. As she reads his stories about blackbirds and bigfoot, as well as tales about Indians in space and homeless Native men camping by the river in Minneapolis, Fiona finds other questions arising—questions about her grandfather and the experiences that shaped his stories, questions about her mother’s silence regarding the grandfather she never knew. Fiona’s desire to know more and her mother’s reluctance to share stir up bitter feelings of anger and disappointment that slowly transform as she reads the stories into a warmer understanding of the difficulties of family, love, and the weight of the past.
📒The Waiting by Cathy LaGrow
The Waiting Summary : Now with a new afterword! A five star–reviewed, unforgettable story that bestselling author Homer Hickam calls “one of the most eloquent, moving, irresistible true stories” he’s ever read. The Waiting will touch your heart and make you believe in love’s enduring legacy, as well as the power of prayer. In 1928, 16-year-old Minka was on a picnic in the woods when she was assaulted and raped. And suddenly this innocent farm girl—who still thought the stork brought babies—was pregnant. The story that follows has been almost a hundred years in the making. After a lifetime of separation, Minka whispered an impossible prayer for the first time: Lord, I’d like to see Betty Jane before I die. What happened next was a miracle. Written by Cathy LaGrow (Minka’s granddaughter), The Waiting brings three generations of this most unusual family together over the course of a century in a story of faith that triumphs, forgiveness that sets us free, and love that never forgets. (As seen on The Today Show.)
📒The Story Of The Lost Child Summary Analysis by Book Junkie
The Story of the Lost Child Summary Analysis Summary : You Need To Read This Book if you want to dive deeper into the world of Elena Ferrante. The Story of the Lost Child is the last book of the Neapolitan books series. We follow love struck Elena through her turbulent affair with Nino as she tries to become an autonomous woman and grieve with Lila when her brilliant daughter who was full of potential goes missing one day without a trace. The final work of the series is full of brilliant thematic threads that build upon the three last books, awe-inspiring plot twists, and beautiful character development. Inside this summary you'll find: Chapter Summaries Character Analysis Themes Imagery and Symbols Important Quotes Disclaimer: This text serves as a companion and guide to the bestseller The Story of the Lost Child: Neapolitan Novels, Book Four by Elena Ferrante. It will help to broaden the reader's understanding of the book, and highlight insights that might otherwise be overlooked. As this is a companion volume, you'll want to have a copy of the actual book on hand before reading this.
📒The Lost Child by Suzanne McCourt
The Lost Child Summary : Long-listed, Miles Franklin Literary Award, 2015, Australia. Sylvie is five. It's the 1950s and she lives in Burley Point, a fishing village south of the Coorong on Australia's wild southern coast. She worships her older brother Dunc. She tries to make sense of her brooding mother, and her moody father who abandons the family to visit The Trollop, Layle Lewis, who lives across the lagoon. It's hard to keep secrets in a small town, but when Dunc goes missing, Sylvie is terrified that she is the cause. Now her father is angry all the time; her mother won't leave the house or stop cleaning. The bush and the birds and the endless beach are Sylvie's only salvation, apart from her teacher, Miss Taylor. In the tradition of the novels of Anne Tyler and Eudora Welty, The Lost Child is a beautifully written story about family and identity and growing up. Sylvie is a charming narrator with a big heart and a sharp eye for the comic moment. As the years go by she learns how tiny events can changes entire lives, and how leaving might be the only solution when the the world will never be the same again. Suzanne McCourt lives in Melbourne. The Lost Child is her first novel. 'The Lost Child is an assured and bittersweet coming-of-age tale with a vivid sense of time and place...The novel is a strong addition to the shelves of Australian literary fiction.' Australian Bookseller and Publisher 'An absorbing and often funny coming of age story...those who enjoy life's complexities and difficulties will find it a thoroughly engrossing read.' Bendigo Weekly 'Suzanne McCourt has with great empathy and skill created the turmoil in the mind of a little girl...a haunting story, it also demonstrates the power of the human psyche to overcome past difficulties and find was to fully live.' Otago Daily Times 'There are echoes of Tim Winton in McCourt's coastal small-town coming-of-age/breaking of spirit/triumphing over the odds under a wide sky-style writing...plainspoken but deftly crafted, laced with both humour and searing sadness. Highly recommended.' NZ Herald 'Written in beautiful, slow prose...This is a promising debut...You can't help but be keen to see what she does next.' Adelaide Advertiser 'McCourt's writing is assured and sinuous.' Belle Place, Readings 'Sylvie endures trauma, bullying, rejection and self-blame yet she largely manages to channel her energy into positives like creative photography and excelling at school. She is a survivor.' ReadPlus 'There's a watchful intensity to McCourt's writing, a remarkable ability to discover within the most concrete details a rich and raw emotion...a novel that is at once very familiar and entirely fresh.' Weekend Australian 'The story tugs at the heartstrings...I look forward to seeing what this author writes next.' Waikato Times '[The Lost Child] reminds me of the quality of Ruth Park's writing in evoking the strengths and weaknesses of a small community...and the tragedies and humour amongst the everyday...A multi-layered novel with symbolism which stays with you after the last page. A significant writer with compassion. Highly recommended for adult and YA readers.' Hazel Edwards 'The Lost Child is a haunting tale of family life, identity and coming-of-age from an author who writes with a vivid sense of time and place.' Launceston Examiner