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📒American Psycho by Bret Easton Ellis
American Psycho Summary : The modern classic, the basis of a Broadway musical, and major motion picture from Lion's Gate Films starring Christian Bale, Chloe Sevigny, Jared Leto, and Reese Witherspoon, and directed by Mary Harron. In American Psycho, Bret Easton Ellis imaginatively explores the incomprehensible depths of madness and captures the insanity of violence in our time or any other. Patrick Bateman moves among the young and trendy in 1980s Manhattan. Young, handsome, and well educated, Bateman earns his fortune on Wall Street by day while spending his nights in ways we cannot begin to fathom. Expressing his true self through torture and murder, Bateman prefigures an apocalyptic horror that no society could bear to confront.
📒Bret Easton Ellis S American Psycho by Julian Murphet
Bret Easton Ellis s American Psycho Summary : This is part of a new series of guides to contemporary novels. The aim of the series is to give readers accessible and informative introductions to some of the most popular, most acclaimed and most influential novels of recent years - from The Remains of the Day' to White Teeth'. A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question.
📒Bret Easton Ellis by Naomi Mandel
Bret Easton Ellis Summary : Collection of new critical essays on Bret Easton Ellis, focusing on his later novels: American Psycho (1991), Glamorama (1999), and Lunar Park (2005).
📒Un American Psycho by Chris Dumas
Un American Psycho Summary : Brian De Palma is perhaps best known as the director behind the gangster classic Scarface. Yet as ingrained as Scarface is in American popular culture, it is but one of a sizeable number of controversial films--many of which are consistently misread or ignored--directed by De Palma over his more than four-decade career. In Un-American Psycho, Chris Dumas places De Palma's body of work in dialogue with the works of other provocative filmmakers, including Alfred Hitchcock, Jean-Luc Godard, and Francis Ford Coppola with the aim of providing a broader understanding of the narrative, stylistic, and political gestures that characterize De Palma's filmmaking. De Palma's films engage with a wide range of issues surrounding American political and social culture, and this volume offers a rethinking of the received wisdom on his work.
Parallelism of Character and Concept in American Psycho and Cosmopolis Summary : Seminar paper from the year 2006 in the subject American Studies - Literature, grade: 1,7, University of Wuppertal, course: Issues in American Society - Literary Negotiations, 2 entries in the bibliography, language: English, abstract: American Psycho by Bret Easton Ellis and Cosmpolis by Don De Lillo both are stories that depict the decadence of their time, hinting at social, moral and political issues that are of importance in their respective times. In both books New York as the world centre of capitalism serves as a stage for two main characters who are shapen by the enormous amounts of money they have at their disposal. The characters and their interaction with society are the central points in both books. While Don De Lillo's Cosmopolis deals at a time no clearly defined, which is probably supposed to be the post modern world of the early 2000s, Bret Easton Ellis' book is set in the booming New York of the 80s where people who work on Wall Street are treated like pop stars and many of them well known as heroes of capitalism (e.g. Warren Buffet and Donald Trump). The book by Bret Easton Ellis takes us into this decadent cocain addicted world, that basically revolves the hunger for parties and sex. The book by Don De Lillo presents a totally different atmosphere. The atmosphere is rather shapen by fear of those that have come too short in the capitalist world and the security needs of those who work on wall street who have by now become anonymous figures, that may only be identified by their stretch limousines. The world of Cosmopolis has become darker and more dangerous; wild parties are no longer celebrated, just as get togethers of business people don't seem to happen in public, mainly for security reasons. The pace of the world has also changed as computers and video transmit news from all over the world into cars that have become indistinguishable from offices. Yet both books have a lot in common in terms of the topics they deal with and the kinds of ch
📒The American Nightmare by Tyler Crawford
The American Nightmare Summary : The renowned French philosopher and cultural critic Jean Baudrillard, in his 1981 treatise Simulacra and Simulation, creates and defines the term “hyperreality” as “the generation by models of a real without origin or reality.” Utilizing this definition, this thesis analyzes the text and film versions of Bret Easton Ellis’s controversial postmodern classic, American Psycho, in conjunction with the anti-“Disneyfication” independent film, Escape from Tomorrow, as complex examples in fiction of the excess and ultimate consequences of American materialism that has developed since the 1991 publication of Ellis’s novel about the over-indulgent “yuppie” culture of the 1980’s. I argue that the main consequence of the practice of blind belief in the endurance and reliability of material signifiers for the protagonists of these works, Patrick Bateman and Jim White respectively, is the sacrifice of their identity to the machine of homogenized corporate capitalism.
📒Intimate Violence by Laura E. Tanner
Intimate Violence Summary : "Tanner deals with the central question of all narrative texts: how the reader is manipulated into empathy or distance by the text.... This study... is the sort that needs to be redone in every classroom and by every mature reader.... Tanner offers provocative and useful discussions of rape and torture... " -- Choice "This thoughtful and disturbing book raises serious questions about 'the consequences... of reading representations of rape and torture.' " -- American Literature "In this incisive exploration of twentieth-century novels, art, and ads, Laura Tanner explains the mechanisms by which reader and viewer are implicated in violence. Equally effective as a challenge to textual assault is the grace and gentleness of Tanner's own prose. Intimate Violence signals the emergence of an astute and humane critical voice." -- Wendy Steiner Through an examination of such notorious works as The White Hotel and American Psycho, Laura Tanner leads us in a disturbing exploration of the reader's complicity with fictional depictions of intimate violence.
American Psycho The Musical Songbook Summary : (Vocal Selections). 15 piano/vocal arrangements from the 2016 Broadway musical, adapted from the controversial 1991 novel of the same name. Music and lyrics were penned by pop artist Duncan Sheik (of "Barely Breathing" fame). Songs include: At the End of an Island * Cards * Everybody Wants to Rule the World * A Girl Before * I Am Back * If We Get Married * In the Air Tonight * Killing Time * Killing Time 2.0 * Mistletoe Alert * Nice Thought * Not a Common Man * Selling Out (Fischer King Remix) * This Is Not an Exit * You Are What You Wear.
📒American Psycho Picador 40th Anniversary Edition by Bret Easton Ellis
American Psycho Picador 40th Anniversary Edition Summary : Even before its publication in 1991, American Psycho captured the attention and imagination of readers. Now an acknowledged modern classic and a multimillion-copy bestseller, it continues to be one of the most talked-about books of all time. A film based on the novel, starring Christian Bale, was released in 2000. Patrick Bateman is twenty-six and works on Wall Street; he is handsome, sophisticated, charming and intelligent. He is also a psychopath. Taking us to a head-on collision with America’s greatest dream – and its worst nightmare – American Psycho is a bleak, bitter, black comedy about a world we all recognize but do not wish to confront. In 2012 Picador celebrated its 40th anniversary. During that time we have published many prize-winning and bestselling authors including Bret Easton Ellis and Cormac McCarthy, Alice Sebold and Helen Fielding, Graham Swift and Alan Hollinghurst. Years later, Picador continue to bring readers the very best contemporary fiction, non-fiction and poetry from across the globe. Discover more at picador.com/40
Violence and Consumerism in Bret Easton Ellis s American Psycho and Chuck Palahniuk s Fight Club Summary : Examination Thesis from the year 2009 in the subject English Language and Literature Studies - Literature, grade: 1,5, University of Heidelberg, language: English, abstract: "Art has always reflected society. [...] Fight Club examines violence and the roots of frustration that are causing people to reach out for such radical solutions. And that's exactly the sort of discussion we should be having about our culture. Because a culture that doesn't examine its violence is a culture in denial, which is much more dangerous." This assessment of Fight Club by Edward Norton, who plays the narrator in the novel’s movie adaptation, explains the reasoning behind this thesis, which examines the basic principles of today’s consumer culture, its connection to aggression and violence, and the way these topics are presented in two contemporary novels: Bret Easton Ellis’s American Psycho and Chuck Palahniuk’s Fight Club. In these books, the respective protagonists face similar deadlocks connected to life in the consumerist world of the 1980s and 1990s. Despite, evidently, having everything a person could ask for, both main characters’ lives remain unfulfilled, leaving them frustrated and dissatisfied. As it turns out, acts of violence become the only thing that lets them get away from the boredom of their daily routine and gives them a sense of satisfaction.