A History Of Narrative Film

Book Title : A History of Narrative Film
Author : David A. Cook
Publisher : New York : Norton
Release Date : 1981
Pages : 721
ISBN : 0393090221
Available Language : English, Spanish, And French

A History of Narrative Film Summary :

Book Title : A History of Narrative Film
Author : David A. Cook
Publisher : W. W. Norton & Company
Release Date : 2016-02-01
Pages : 864
ISBN : 9780393920093
Available Language : English, Spanish, And French

A History of Narrative Film Summary : Sophisticated in its analytical content, current in its coverage, and informed throughout by fascinating historical and cultural contexts, A History of Narrative Film is one of the most respected and widely read texts in film studies. This Fifth Edition features a new chapter on twenty-first century film, and includes refreshed coverage of contemporary digital production, distribution, and consumption of film. Now 20% shorter, with new four-color design and an updated art program, A History of Narrative Film is also the only film history text available as an ebook.

Book Title : A History of Narrative Film
Author : David A. Cook
Publisher : Ingram
Release Date : 2008-12-01
Pages : 819
ISBN : 0393179443
Available Language : English, Spanish, And French

A History of Narrative Film Summary :

Book Title : A History of Narrative Film
Author : David A. Cook
Publisher : W W Norton & Company Incorporated
Release Date : 1996
Pages : 1087
ISBN : 0393968197
Available Language : English, Spanish, And French

A History of Narrative Film Summary : Adopted at over 325 colleges and universities in its Second Edition, David A. Cook's A History of Narrative Film has established itself as a leader in its field. Throughout, A History of Narrative Film integrates film history and aesthetics with an astute analysis of the technological, social, and economic context of world cinema. The Third Edition has been revised to include new and significant scholarship on early cinema and to feature the latest developments in contemporary film around the world.

Book Title : A New History of Japanese Cinema
Author : Isolde Standish
Publisher : Bloomsbury Publishing USA
Release Date : 2006-05-08
Pages : 416
ISBN : 0826417906
Available Language : English, Spanish, And French

A New History of Japanese Cinema Summary : Presents the history of Japanese cinema which has had an international influence. Drawing upon Japanese film scholarship that has never been published outside Japan, this book provides a chronological survey of a range of films and sheds light on films and directors that are not so famous on the international stage, as well as on those who are.

Book Title : Closely Watched Films
Author : Marilyn Fabe
Publisher : Univ of California Press
Release Date : 2014-10-14
Pages : 312
ISBN : 9780520279971
Available Language : English, Spanish, And French

Closely Watched Films Summary : How do films work? How do they tell a story? How do they move us and make us think? Through detailed examinations of passages from classic films, Marilyn Fabe supplies the analytic tools and background in film history and theory to enable us to see more in every film we watch. Ranging from D. W. Griffith's The Birth of a Nation to James Cameron’s Avatar, and ending with an epilogue on digital media, Closely Watched Films focuses on exemplary works of fourteen film directors whose careers together span the history of the narrative film. Lively and down-to-earth, this concise introduction provides a broad, complete, and yet specific picture of visual narrative techniques that will increase readers' excitement about and knowledge of the possibilities of the film medium. Shot-by-shot analyses of short passages from each film ground theory in concrete examples. Fabe includes original and well-informed discussions of Soviet montage, realism and expressionism in film form, classical and modern sound theory, the classic Hollywood film, Italian neorealism, the French New Wave, auteur theory, modernism and postmodernism in film, political cinema, feminist film theory and practice, and narrative experiments in new digital media. Encompassing the earliest silent films as well as those that exploit the most recent technological innovations, this book gives us the particulars of how film—arguably the most influential of contemporary forms of representation—constitutes our pleasure, influences our thoughts, and informs our daily reality. Updated to include a discussion of 3-D and advanced special effects, this tenth anniversary edition is an essential film studies text for students and professors alike.

đź“’Lost Illusions by David A. Cook

Book Title : Lost Illusions
Author : David A. Cook
Publisher : Univ of California Press
Release Date : 2002-03-15
Pages : 695
ISBN : 0520232658
Available Language : English, Spanish, And French

Lost Illusions Summary : Some of the films discussed in this book include: Five Easy Pieces Chinatown Carnal Knowledge Straw Dogs A Clockwork Orange Mean Streets The Conversation Nashville Shampoo Taxi Driver Apocalypse Now

Book Title : Emotion and the Structure of Narrative Film
Author : Ed S. Tan
Publisher : Routledge
Release Date : 2013-10-16
Pages : 312
ISBN : 9781136694974
Available Language : English, Spanish, And French

Emotion and the Structure of Narrative Film Summary : Introduced one hundred years ago, film has since become part of our lives. For the past century, however, the experience offered by fiction films has remained a mystery. Questions such as why adult viewers cry and shiver, and why they care at all about fictional characters -- while aware that they contemplate an entirely staged scene -- are still unresolved. In addition, it is unknown why spectators find some film experiences entertaining that have a clearly aversive nature outside the cinema. These and other questions make the psychological status of emotions allegedly induced by the fiction film highly problematic. Earlier attempts to answer these questions have been limited to a few genre studies. In recent years, film criticism and the theory of film structure have made use of psychoanalytic concepts which have proven insufficient in accounting for the diversity of film induced affect. In contrast, academic psychology -- during the century of its existence -- has made extensive study of emotional responses provoked by viewing fiction film, but has taken the role of film as a natural stimulus completely for granted. The present volume bridges the gap between critical theories of film on the one hand, and recent psychological theory and research of human emotion on the other, in an attempt to explain the emotions provoked by fiction film. This book integrates insights on the narrative structure of fiction film including its themes, plot structure, and characters with recent knowledge on the cognitive processing of natural events, and narrative and person information. It develops a theoretical framework for systematically describing emotion in the film viewer. The question whether or not film produces genuine emotion is answered by comparing affect in the viewer with emotion in the real world experienced by persons witnessing events that have personal significance to them. Current understanding of the psychology of emotions provides the basis for identifying critical features of the fiction film that trigger the general emotion system. Individual emotions are classified according to their position in the affect structure of a film -- a larger system of emotions produced by one particular film as a whole. Along the way, a series of problematic issues is dealt with, notably the reality of the emotional stimulus in film, the identification of the viewer with protagonists on screen, and the necessity of the viewer's cooperation in arriving at a genuine emotion. Finally, it is argued that film-produced emotions are genuine emotions in response to an artificial stimulus. Film can be regarded as a fine-tuned machine for a continuous stream of emotions that are entertaining after all. The work paves the way for understanding and, in principle, predicting emotions in the film viewer using existing psychological instruments of investigation. Dealing with the problems of film-induced affect and rendering them accessible to formal modeling and experimental method serves a wider interest of understanding aesthetic emotion -- the feelings that man-made products, and especially works of art, can evoke in the beholder.

Book Title : D W Griffith and the Origins of American Narrative Film
Author : Tom Gunning
Publisher : University of Illinois Press
Release Date : 1994
Pages : 316
ISBN : 025206366X
Available Language : English, Spanish, And French

D W Griffith and the Origins of American Narrative Film Summary :

Book Title : A Short History of Film Third Edition
Author : Wheeler Winston Dixon
Publisher : Rutgers University Press
Release Date : 2018-03-30
Pages : 524
ISBN : 9780813595160
Available Language : English, Spanish, And French

A Short History of Film Third Edition Summary : With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.